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Features Weekly Top 5 Weekly Top 5: Sci-Fi game theme music
 
Weekly Top 5: Sci-Fi game theme music

Weekly Top 5: Sci-Fi game theme music Weekly Top 5: Sci-Fi game theme music Hot

lets Let the music play on.

We love music here at The X Button. All kinds of music, from country to rap to jazz to dance to rock to dubstep. Well, maybe not all of those, but you get the idea. And one thing we particularly like are soundtracks.

Which is why this week we’re couinting down our top 5 sci-fi themes. To qualify for this list, the track must be the theme music (not just any old piece of music from the soundtrack) of a game with a sci-fi storyline or setting- and there is some truly fantastic music out there, which made compiling this list pretty damn hard. But nevertheless, we persevered. For you.

So, without further ado, we present our Top 5 Sci-fi game theme.s

5: Hope Runs Deep

Steve Jablonsky, Gears of War 2

The Gears of War series has been blessed with some fantastic music, and I’m a big fan of Kevin Riepl’s work on the original game in particular. But Gears of War 2 composer Steve Jablonksy crafted a masterpiece with his title theme for Gears of War 2, Hope Runs Deep. It has throwbacks to the original Gears theme and it’s alternately haunting and bombastic fare. But it goes much further, slowly building into an epic choral arrangement that perfectly sets the tone for the grander scale of the second game. It makes for a powerful theme.

 

4: Suicide Mission

Jack Wall & Sam Hulick, Mass Effect

Mass Effect is another series notable for its exceptional music, but for me the highlight is here, with the main theme from the very first game. Jack Wall’s work has echoes of the work of Vangelis and a hint of Christopher Franke, but has an identity all of it’s own. The synth-heavy theme carries with it an element of wonder and mystery, perfect accompaniments to the game but recognisable in their own right. Even now the theme gives me goosebumps.

 

3: Metal Gear Solid 2 Main Theme

TAPPY / Harry Gregson-Williams, Metal Gear Solid 2: Sons of Liberty

The difference in sound between Rika Muranaka’s Metal Gear Solid OST and Harry Gregson-Williams’ work on the later Metal Gear Solid titles is quite pronounced, and both have their merits. But the MGS2 Main Theme is a perfect blend of both; a Harry Gregson-Williams rearrangement of TAPPY’s original Metal Gear theme that bridges the gap between the two superbly. It has the thematic strength of the very best of the Metal Gear Solid soundtracks, but brings a more cinematic edge to the composition. And it’s superb.

 

2: Icarus

Michael McCann, Deus Ex: Human Revolution

How do you sum up a game in a theme? We don’t know, but composer Michael McCann apparently does, judging by his work on Square Enix’s excellent Deus Ex: Human Revolution. The main theme, Icarus, conjures up plenty of imagery with it’s name alone, but the blend of futuristic electronica and haunting vocal arrangement create a striking and stirring composition, epic but tinted with sadness and a faint sense of foreboding. Powerful stuff.

 

1: Halo

Martin O'Donnell and Michael Salvatori, Halo: Combat Evolved

Halo is a game that will be long remembered for many things, but one of it's most striking features was always the soundtrack. Whereas most sci-fi action games are content to settle for a bombastic orchestral fare - Killzone, I'm looking at you - Halo dared to be different, opting instead for a haunting choral piece that lent the game an air of mystery and majesty.

Especially notable about the theme from the original game is the way that the choral opening gives way to the faster-paced action score which, with its unusual medley of tribal drumbeats, guitar riffs and string orchestra stands out as some of the finest, more original music in gaming as a whole, let alone for sci-fi games. It's rare for a piece of music to be haunting, stirring, and pulse-quickening, but the Halo theme has it all.

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Did you know..?

  • Steve Downes, the voice of Halo’s Master Chief, is a DJ for a Chicago radio station.
  • In Halo, when a Covenant Elite says 'Wort Wort Wort', the sound effect is actually that of Sergeant Johnson saying 'Go go go' played backwards.
  • The Sega Dreamcast was the first console to implement online play over a phone line, calling the system 'SegaNet.'
  • When Diablo is released in the final level of the original Blizzard game, he says something in a strange demonic language. When played backwards, the voice is in English and says "Eat your vegetables and brush your teeth after every meal." See, he's not so bad after all.
  • The Little Sisters from BioShock didn't start their life as little girls at all, but rather tiny mole-like creatures who scuttled around Rapture collecting Adam. Other concept art had them looking like 50's-style robots as well. 
  • The clouds and bushes in Super Mario Bros. are the same sprites, just recoloured.
  • The Xbox was originally named DirectXbox, as it was initially designed to show how Microsoft's Direct X graphics technology could benefit the console market.
  • Sonic the Hedgehog 2 was one of the first games to be released on a Tuesday in the EU. SEGA named 24th November 1992 'Sonic 2sDay' in his honour.
  • The first console to have games available in the form of add-on cartridges was the Fairchild Channel F console, introduced in August 1976.
  • It's possible to skip rescuing Deckard Cain in Diablo II, despite the quest's mandatory status. If you don't go back to Tristram to fetch the old dude by the end of Act I, he'll be rescued by the rogues, and you'll have to pay a fee for him to identify your items, which is normally a free service.
  • Capcom is short for ‘Capsule Computers’. Not Captain Commando.
  • Harry Hamlin, star of the 1980 epic Clash of the Titans, reprises his role as Perseus in God of War II. Sadly, he gets butchered by Kratos for his efforts.
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